SSL L550 Plus
Additional information
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The deceptively simple ergonomic excellence of the combination of multi-touch screen control with assignable hardware controls, the use of colour coding, the open architecture which lets engineers configure the console layout to suit their own way of working, the arsenal of processing options, the precision and depth of those processing tools… and so much more… it all combines to let the operator get where they can hear they want to be extremely quickly. Like all great creative audio technology, SSL Live consoles are instruments for engineers.
Live V5.0 Software Overview
The latest V5.0 Software update brings a host of new features and enhancements to the SSL Live platform. V4.11 software introduced integrated control of L’Acoustics L-ISA Immersive system, Live V5.0 furthers that, adding integrated control of Meyer Sound Immersive loudspeaker systems via SpaceMap Go APP. New ‘Plus Processing Packs’, enhanced 3rd party device control, and new processing tools; Blitzer and Sorcerer, and Path Recall Safe show our commitment to keeping all SSL Live consoles ahead of the curve. The SSL Live control surface brings decades of design experience to the specific demands of live sound production. The result is an uncluttered design that is intuitive and ergonomically efficient with a collection of unique features to keep the operator in complete control at all times. The system lets you use your own balance of touch screen and hardware control to work the way you want to. A single super bright, high resolution 19″ multi-touch screen is the heart of the console and can be used for system & I/O configuration, creating surface layouts using the Layer Manager, the Automation interface, the Effects Rack and two different views of your project; The Channel View and Console Overview.There are four models available in the SSL Live console range; the L550, the L350, the L200 and the L100. At SSL we believe that offering a range of sizes and console specifications should not mean compromising on quality or features.
All four consoles use the same Remote I/O, and use identical audio conversion and internal audio engine technology. The combination and layout of Fader Tiles, Master Tile and Channel Control Tile varies but the controls available and feature set are identical. The consoles use the same software with identical architecture, routing capability, and of course audio processing tool kit. A full channel on the L550 is the same as a full channel on the other consoles and they all offer exactly the same outstanding collection of insert Effects. The differences between the four models centre on physical size, layout, available channel paths & processing power, and available local I/O.
